It is no secret that for decades film has utilized its narratives to drive political and social agendas. Specifically, film has channeled characters and plot lines that glorify white men and seemingly belittle every other group. This week's readings highlighted the concept of masculinity that was warped and transformed throughout the Regan era. They analyzed various films, such as Terminator 2 , with underlying tones that challenged perspectives of the era. The 80s were a time that idolized hyper masculine body types and utilized this physique to emphasize the power of men. However, as film transitioned in the 90s, white men obtained a bad wrap for their heartless decisions and began to prioritize their control on familial structure and reproductive rights, as both their agenda changed and their image that they wanted conceived about them altered. Film encouraged troupes and storylines that credited the reason for men’s violence to defending their family and showed them a...
As we have seen in class, separating movie stars and, by extension, television and music from their socio-economic significance is almost impossible. Stars exist because of economic production systems and political ideology mechanisms that need them. In his article "Articulating Stardom," Barry King delves into the "political economy" behind celebrities in mainstream cinema and television (167). King points out some economic areas in which stardom operates, understanding the notion of economics in this text as "a system of control that mobilizes discursive resources in order to achieve a specificable effect" (167). What I find more interesting in the text is the conflicts around naturalism and the ideas of impersonation and personification. Beyond ideas of genre, mainstream cinema always tries to make their stories visually believable, and the actor's role is to make a performance that supports that goal. Then, the physicality of the actor becomes the...
As we have studied in this class, female gender expectations have historically been created and maintained through film stars, characters, and troupes. However, this line becomes blurred as everyday people are entering the limelight by portraying their daily life. Influential figures are no longer distant people in the world, but people that audiences can directly compare themselves to without the excuse that they’re just staged or scripted. This can be especially harmful when the expectations that are being set are warped by influencers trying to avoid outside harassment and prioritize staying relevant. Their expression of their body image, gender, and racial identity are molded to appease audiences opposed to convey the raw truth. Defining concepts of “gender double-blind” or “authenticity bind,” these articles distinguish the immense pressure from society and individuals to balance not being too real and not real enough. Their idea defines weighing vulnerability and visibility ...
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